Victorian Periodicals Review

 

RSVP’s flagship journal, Victorian Periodicals Review, publishes the latest research in the vibrant and rapidly expanding field of 19th-century media studies. VPR features special issues, book reviews, announcements, and a biennial bibliography.

Subscribe to VPR today! Subscription to VPR automatically enrolls you as a member of RSVP, one of the most distinguished, dynamic, and collegial scholarly organizations in the world today. RSVP has kept the cost of individual subscriptions low in order to make the riches of this splendid journal available to as many readers as possible. To subscribe or manage your subscription, click on the links in the sidebar.

 

Table of Contents of Current Issue

Victorian Periodicals Review
VOLUME 49, NUMBER 4, WINTER 2016
vpr cover winter 2016

Introduction to the Special Issue: Moments of Challenge and Change
SHANNON R. SMITH and ANN. M. HALE

Articles

An Archaeology of Victorian Newspapers
PAUL FYFE

Interred in Printing House Vaults: Pianotype Composing Machines of the 1840s
MELISSA SCORE

Making the News National: Using Digitized Newspapers to Study the Distribution of the Queen’s Speech by W. H. Smith & Son, 1846-1858
THOMAS SMITS

Reading in Review: The Victorian Book Review in the New Media Moment
ELIZABETH CAROLYN MILLER

The Decadent Archive and the Long History of New Media
FREDERICK D. KING

“You see but you do not observe”: Hidden Infrastructure and Labour in the Strand Magazine and Its Twenty-First-Century Digital Iterations
ANN M. HALE and SHANNON R. SMITH

Chance Encounters, Rediscovery, and Loss: Researching Victorian Women Journalists in the Digital Age
ALEXIS EASLEY

Richard Le Gallienne–Liverpool’s Wild(e) Poet: An Exhibition Held at Liverpool Central Library, August-October 2016
BRIAN MAIDMENT

 

VPR News

Women in Punch 1841 – 1920, 02 Nov 2017, Senate House, London

Registration is now open for ‘Women in Punch 1841 – 1920’, 02 Nov 2017, Senate House, London.

 

Punch: or the London Charivari first appeared in 1841, published as a weekly magazine with a strong political agenda. Although some work has been done on the social reform agenda of Punch, very little is known about women in the magazine. Were there any women contributors? What representations of women appeared in the magazine, both in images and text? Women were certainly a subject for humour and caricature in Punch, but what were the political implications of those comic illustrations? What was the role played by verse in the depiction of women? Did representations of women change significantly between 1841 and 1910, and if so, how and why? How do the caricatures and/or depictions of women in Punch differ or resemble those in other illustrated papers, such as the Comic Almanack (1835 – 1853), The Illustrated London News (1842 – 1989), the Man in the Moon (1847 – 1849), andFun (1861 – 1901)? Queen Victoria subscribed to Punch; did it have many women subscribers and/or readers? How was the ‘New Women’ reported in the pages of the magazine? Was Punch interested in female education or the entry of women into the professions?

 

These are some of the questions to be explored by this one-day conference, which will look at some of the below themes:

  • Women in the literary marketplace
  • Education
  • ‘New Women’ and ‘cartoons’
  • Domesticity
  • Punch and the Intellectual Woman
  • Women and sports
  • Representations of Political Women
  • Punch and female readership
  • Sex, body, and Punch caricatures.

 

The programme for the day can be found here.
Conference organiser: Mariam Zarif, mariam.zarif@kcl.ac.uk.

Dr. Paul Fyfe wins Prestigious Donald Gray Prize

Congratulations to RSVP member Dr. Paul Fyfe winner of this year’s Donald Gray Prize for the best essay published in the field of Victorian studies.

Dr. Fyfe’s article ‘An Archaeology of Victorian Newspapers‘ was published in the Winter 2016 edition of Victorian Periodicals Review.

The NAVSA judging committee – Deborah Denenholz Morse (Chair), Mary Jean Corbett, Martin Danahay, and Peter Hoffenberg  – commented:

Paul Fyfe’s ‘An Archaeology of Victorian Newspapers’ excavates a portion of “the largely hidden history of how Victorian data gets to now” by filling in some of the gaps between then and now.  This fascinating essay, which draws on the methods of book history and media archaeology, as well as practicing a form of “investigative scholarly journalism,” explores the occluded material histories of one large-scale digitization project: the British Library’s massive collection of nineteenth-century newspapers.  He establishes its complex relations to a range of mid-twentieth-century agents, technologies, and institutions, from the preservation efforts undertaken in the aftermath of the second world war to the emergence of (and continuing role played by) microfilm in the collaboration between libraries, micropublishers, and the forerunners of the CIA. Victorian media became digital, Fyfe argues, both by subordinating the provinces to the metropole and by having the techno-labor of its production outsourced to India and Cambodia. In a timely investigation of what now constitute “the enabling conditions of our scholarship,” the essay charts a path forward for thinking about—and critically reflecting on—the digital tools we all use.

 

CFP: Special issue of Victorian Periodicals Review: The Strand Magazine

CFP: Special issue of Victorian Periodicals Review: The Strand Magazine

Described by Reginald Pound as a ‘national institution’, the Strand Magazine (1891–1950) was the foremost British New Journalistic fiction paper of the 1890s. This heavily illustrated monthly promised its readers ‘cheap, healthful literature’, including short and serial fiction, factual articles, human-interest features and celebrity items, by some of the best-known authors of the time. Yet, in spite of its popularity, the Strand has attracted limited scholarly attention and is often dismissed as a prime example of the Victorian middlebrow. This special issue of Victorian Periodicals Review seeks to elicit original essays assessing the nature, role and significance of the Strand in the period 1891–1918. Possible contributions might address, but are not limited to, topics such as:

 

  • The Strand and the short story
  • The Strand and genre fiction
  • The topical Strand
  • The Strand and popular science
  • The Strand and celebrity culture
  • The Strand and the New Journalism
  • The Strand’s editorial policies
  • The Strand and periodical design
  • The Strand and illustration
  • The Strand and its readers
  • The Strand and the middlebrow
  • The Strand and British identity
  • The Strand abroad
  • The Strand and the ‘Victorian’
  • The Strand and the modern
  • The Strand in the digital age

 

Please send a 300-word abstract and a one-page CV to our guest editors Emma Liggins (e.liggins@mmu.ac.uk) and Minna Vuohelainen (minna.vuohelainen@city.ac.uk) by 1 December, 2017. Final essays of 5000-9000 words (including notes and bibliography) will be due by 1 May, 2018 and should be prepared in MS Word according to the Chicago Manual of Style. The special issue will be published in summer 2019.

Registration open: Editing the 20th Century – 5th September, British Library, London

Registration is now open for ‘Editing the 20th Century’

As part of the British Academy funded project, ‘Editing the Twentieth Century’, a one-day conference will take place at the British Library on 5 September 2017 exploring the key role played by the editors of periodical publications throughout the long twentieth century.

Registration is open here.

A PDF of the programme is also available here: Editingthe20thCenturyConferenceProgramme.

Tuesday 5th September 2017, 9.00am-6.45pm. The British Library, 96 Euston Road, London, NW1 2DB.