This page aims to share useful links, information and updates of interest to the postgraduate membership of RSVP. It is run by Gemma Outen, our postgraduate representative, but contributions from the wider community, such as calls for papers, links to relevant articles and reviews are very welcome. If you would like to get in touch with our postgraduate representative please email graduate @ rs4vp.org.
Registration is now open for ‘Women in Punch 1841 – 1920’, 02 Nov 2017, Senate House, London.
Punch: or the London Charivari first appeared in 1841, published as a weekly magazine with a strong political agenda. Although some work has been done on the social reform agenda of Punch, very little is known about women in the magazine. Were there any women contributors? What representations of women appeared in the magazine, both in images and text? Women were certainly a subject for humour and caricature in Punch, but what were the political implications of those comic illustrations? What was the role played by verse in the depiction of women? Did representations of women change significantly between 1841 and 1910, and if so, how and why? How do the caricatures and/or depictions of women in Punch differ or resemble those in other illustrated papers, such as the Comic Almanack (1835 – 1853), The Illustrated London News (1842 – 1989), the Man in the Moon (1847 – 1849), andFun (1861 – 1901)? Queen Victoria subscribed to Punch; did it have many women subscribers and/or readers? How was the ‘New Women’ reported in the pages of the magazine? Was Punch interested in female education or the entry of women into the professions?
These are some of the questions to be explored by this one-day conference, which will look at some of the below themes:
- Women in the literary marketplace
- ‘New Women’ and ‘cartoons’
- Punch and the Intellectual Woman
- Women and sports
- Representations of Political Women
- Punch and female readership
- Sex, body, and Punch caricatures.
Congratulations to RSVP member Dr. Paul Fyfe winner of this year’s Donald Gray Prize for the best essay published in the field of Victorian studies.
The NAVSA judging committee – Deborah Denenholz Morse (Chair), Mary Jean Corbett, Martin Danahay, and Peter Hoffenberg – commented:
Paul Fyfe’s ‘An Archaeology of Victorian Newspapers’ excavates a portion of “the largely hidden history of how Victorian data gets to now” by filling in some of the gaps between then and now. This fascinating essay, which draws on the methods of book history and media archaeology, as well as practicing a form of “investigative scholarly journalism,” explores the occluded material histories of one large-scale digitization project: the British Library’s massive collection of nineteenth-century newspapers. He establishes its complex relations to a range of mid-twentieth-century agents, technologies, and institutions, from the preservation efforts undertaken in the aftermath of the second world war to the emergence of (and continuing role played by) microfilm in the collaboration between libraries, micropublishers, and the forerunners of the CIA. Victorian media became digital, Fyfe argues, both by subordinating the provinces to the metropole and by having the techno-labor of its production outsourced to India and Cambodia. In a timely investigation of what now constitute “the enabling conditions of our scholarship,” the essay charts a path forward for thinking about—and critically reflecting on—the digital tools we all use.
CFP: Special issue of Victorian Periodicals Review: The Strand Magazine
Described by Reginald Pound as a ‘national institution’, the Strand Magazine (1891–1950) was the foremost British New Journalistic fiction paper of the 1890s. This heavily illustrated monthly promised its readers ‘cheap, healthful literature’, including short and serial fiction, factual articles, human-interest features and celebrity items, by some of the best-known authors of the time. Yet, in spite of its popularity, the Strand has attracted limited scholarly attention and is often dismissed as a prime example of the Victorian middlebrow. This special issue of Victorian Periodicals Review seeks to elicit original essays assessing the nature, role and significance of the Strand in the period 1891–1918. Possible contributions might address, but are not limited to, topics such as:
- The Strand and the short story
- The Strand and genre fiction
- The topical Strand
- The Strand and popular science
- The Strand and celebrity culture
- The Strand and the New Journalism
- The Strand’s editorial policies
- The Strand and periodical design
- The Strand and illustration
- The Strand and its readers
- The Strand and the middlebrow
- The Strand and British identity
- The Strand abroad
- The Strand and the ‘Victorian’
- The Strand and the modern
- The Strand in the digital age
Please send a 300-word abstract and a one-page CV to our guest editors Emma Liggins (firstname.lastname@example.org) and Minna Vuohelainen (email@example.com) by 1 December, 2017. Final essays of 5000-9000 words (including notes and bibliography) will be due by 1 May, 2018 and should be prepared in MS Word according to the Chicago Manual of Style. The special issue will be published in summer 2019.
Registration is now open for ‘Editing the 20th Century’
As part of the British Academy funded project, ‘Editing the Twentieth Century’, a one-day conference will take place at the British Library on 5 September 2017 exploring the key role played by the editors of periodical publications throughout the long twentieth century.
Registration is open here.
A PDF of the programme is also available here: Editingthe20thCenturyConferenceProgramme.
Tuesday 5th September 2017, 9.00am-6.45pm. The British Library, 96 Euston Road, London, NW1 2DB.